... formerly here.

some recent work here.

A bookshelf on top of the sky: 12 films about John Zorn.

Full film online.

Counting

A nice NCRM Methods Review bringing together lots of people together, asking ‘how many interviews is enough?’

Les Back:

Perhaps as researchers today we need to lessen our dependence on the interview itself. I would go as far to argue that the capacity to record voices accurately meant that researchers became less observant and actually less involved in the social world. It was on tape so we could stop watching and listening. As Harvey Sacks warned in a lecture give in the spring of 1965: “The tape-recorder is important, but a lot of this [observational study] can be done without a tape-recorder” (Sacks 1992: 28). Strangely I think this has made social researchers less well equipped to achieve vivid descriptions in their writing. We have an opportunity today to think about how to develop new ways of training our sociological attention, our understanding of qualitative data beyond text to include image, sound and sensuous life that will also enhance our representations of the social world.

Howard Becker:

you have to think in a different way, asking how you can convince skeptics—people who will not want to accept that what you say is how things works is how they actually do work—that you’re right and they have to accept it. Many people will be eager to show that you’re wrong: doctors in the town you studied may think you have given an unfavorable picture of how they work and will search for any weak spots in your argument. You can deal with this by being there before them. Imagine just what the most fervent critic of your conclusion would say to prove that you were wrong and then ask yourself what you could do to forestall that criticism—and do it. If you can’t think of how to get that result, don’t say what you can’t demonstrate convincingly enough to shut critics up.

Daniel Miller:

Mostly what people say is the legitimation of what they do, not the explanation or the description. So my ideal number might be 0. The primary method of ethnography is participant observation. It is better to be immersed in people’s everyday life and also listen in to the conversations they have with the people they live with, rather than carrying out the artificial procedure that we call an interview. In my more ethnographic works I look more to people’s interactions with things, and the evidence for what they actually do. On the other hand how people legitimate their actions is significant, which suggests that placed alongside direct observation the interview may have a role to play. We should be careful about language as evidence but I am not suggesting that we ignore it entirely.

What is clear is that, haunted by his anxieties about violence and political possibility, Benjamin’s divine violence (which had initially taken the Sorelian form of the limit possibility of the revolutionary tradition’s celebration of constituent power without constituted power) ultimately emerges, in the ‘Critique’ (despite its initial anti-utopian sympathies), as something like the quality of a pure revolution purged of its fallen human violence. In this fallen and melancholy revolutionism, the idea of divine violence serves simultaneously as a kind of final exasperation at the very possibility of a new ideal political order, which can only make sense in the context of a residual idealization of the political – something like the Platonic ideal of the political, or the politics of a pre-fall Eden. It is, finally, an expression both of political exhaustion and of a still retained hope of what politics could be like – if human beings, perhaps, did not have to make it?

Ronald C. Jennings, 2011:35

'These are the last. Can't get them anywhere in Europe any more.'
- my balcony, exarcheia, summer 2011. Third Man thirty times.

'These are the last. Can't get them anywhere in Europe any more.'
- my balcony, exarcheia, summer 2011. Third Man thirty times.

hidden underwater for centuries.

hidden underwater for centuries.

[Flash 9 is required to listen to audio.]

lucjanlocke:

Michael Taussig - ‘Occupy Ethnography’ (“that sounds a bit lame” he said)

Lecture given at Goldsmiths College, 27th January 2012

Representations - industrial soundscapes on film (1), and multiple visions of Cape Town (2). Old things! Hope to write something soon about all the construction going on in Lewisham, winter’s weekly conferences on “the riots”, Paris Commune fever (Goldsmiths are screening films + discussion every Thursday at 17h).

I’ve put some old/recent work online here

I swear I saw this.

Michael Taussig’s book on fieldwork, notebooks and drawing.

It is as if writing - the epitome of consciousness - obliterates reality, pushing it further and further out of reach. But then what I have in mind here is a special kind of writing, not poetic or literary - heavens forbid! - but the direct transmission of experience onto the page, usually hurried, abbreviated, and urgent. How tragic, then, that each word you write down changes from a flower into a toad. Each word seems to multiply the distance between you and what the word was supposed to be about (2011, 19).

And how drawing, in the process of looking, is like having a conversation with the thing drawn (Berger).